La práctica artística de Marisol Guzmán se desenvuelve a través del dibujo, que encuentra su origen en acciones tan simples como caminar por la ciudad y descubrir diversas formas y objetos de estudio. A partir de estos hallazgos, genera proyectos que le permiten explorar el mismo objeto repetidamente, realizando variaciones hasta agotarlo mediante el dibujo. La serie "Astillas (Variaciones para hacer estallar un nido)" es un políptico compuesto por 16 obras. En esta serie, Guzmán reflexiona sobre el dibujo como una práctica continua de crear y deshacer. Para dar vida a esta colección, comenzó con un dibujo inicial de una rama blanca, explorando maneras de destruir la obra sin necesidad de romperla. Así surgieron estos dibujos que representan ramas deshaciéndose, evocando la descomposición de un nido. Comenzó dibujando exclusivamente con goma, revelando posteriormente las huellas que la grasa dejaba en el papel con polvo de carbón. Este proceso se convirtió en una constante alternancia entre borrar y recomponer.

Marisol Cosmes Guzmán es licenciada en Artes Visuales por la ENAP, UNAM y Maestra en Producción Artística por la UAEM. Su práctica artística se centra en la gráfica y el dibujo.

Marisol Guzmán's artistic practice unfolds through drawing, originating from simple actions like strolling through the city and discovering various forms and objects for study. Based on these findings, she creates projects that allow her to explore the same object repeatedly, making variations until exhausting it through drawing. The series "Shards (Variations for Unleashing a Nest)" is a polyptych comprising 16 works. In this series, Guzmán reflects on drawing as a continuous practice of creating and undoing. To bring this collection to life, she started with an initial drawing of a white branch, exploring ways to destroy the piece without breaking it. Thus emerged these drawings depicting branches unraveling, evoking the decomposition of a nest. She began drawing with an eraser, subsequently revealing the traces left on the paper by grease with charcoal dust. This process became a constant alternation between erasing and recomposing.

Marisol Cosmes Guzmán holds a degree in Visual Arts from ENAP, UNAM, and a Master's in Artistic Production from UAEM. Her artistic practice focuses on printmaking and drawing. She has had three solo drawing exhibitions in Mexico City, and her work has been selected for various national competitions, including the 2nd BARCO Biennial (Mexico, 2023) and the XXXVIII National Meeting of Young Art in Aguascalientes (Mexico, 2018). Additionally, her work has been featured in international events such as the Zukunftvisionen Festival (Germany, 2021) and the Latin American Illustration Award from the University of Palermo (Argentina, ed. 2021 and 2016). Marisol has collaborated on illustrations for different publishers, including Fondo Editorial Tierra Adentro and Punto de Partida magazine (UNAM), as well as independent publications like Contrapunto and Nomastique Magazine. She has been a recipient of the FONCA Young Creators Grant in the Graphic Arts specialization (2016-2017) and is currently a grantee of SACPC in the Drawing specialization (2022-2023).